
"There is no more sombre enemy of good art than the pram in the hall," wrote
Cyril Connolly, famously, 70 years ago this year, in
Enemies of Promise. Apart from such pitiless pithiness, another reason for the book's welcome
second coming is that Connolly, uncannily, foresaw the triumph of
Alexander Boris de Pfeffel Johnson. Summing up his feelings about
Eton, Connolly formulated the "Theory of Permanent Adolescence", to wit: "It is the theory that the experiences undergone by boys at the great public schools, their glories and disappointments, are so intense as to dominate their lives and to arrest their development. From these it results that the greater part of the ruling class remains adolescent, school-minded, self-conscious, cowardly, sentimental, and in the last analysis homosexual." Connolly made his point with a portrait of the aristocratic
Alec Dunglass:
"He was a votary of the esoteric Eton religion, the kind of graceful, tolerant, sleepy boy who is showered with favors and crowned with all the laurels, who is liked by the masters and admired by the boys without any apparent exertion on his part, without experiencing the ill-effects of success himself or arousing the pangs of envy in others. In the eighteenth century he would have become Prime Minister before he was thirty; as it was he appeared honorably ineligible for the struggle of life."
In fact, in 1963, as Sir Alec Douglas-Home, this "votary of the esoteric Eton religion" became Tory PM. And it is also worth noting that in Enemies of Promise Cyril Connolly attacked Joseph Addison, co-founder of The Spectator, because he was "an apologist for the New Bourgeoisie". Having attended Eaton and served as editor of The Spectator, Boris Johnson was elected mayor of London on 1 May by the city's New Bourgeoisie. Can anyone now doubt that he will become Prime Minister one day? Not tomorrow, of course, or next year, but one day.